abadeers:

this is fucking terrifying

this is not the scotland we want

(via freescotland)

http://freescotland.tumblr.com/post/97933191062/the-forgetful-vegan-gooftroopin-its-not-safe

the-forgetful-vegan:

gooftroopin:

its not safe to wear a yes badge in Glasgow tonight, someone has been stabbed and there are literal fascists flooding our streets. the English defence league and orange order are in George square giving nazi salutes and burning Scottish flags. this is…

iblamebuckybarnes:

unofficialhogwarts:

Headcanon that after the battle of Hogwarts, George dyes his hair an outrageous colour, and at first Molly is mad, but then she hears George whisper “I kept thinking it was him in the mirror”. 

image

(via nooncast)

hermione + text posts

(Source: ohgryffindors, via metis-problems)

Obama and Biden to launch campaign against sexual violence on college campuses

breakingnews:

TIME: President Barack Obama and Vice President Joe Biden are launching a public awareness and education campaign aimed at preventing sexual violence on college campuses.

The campaign, called “It’s On Us,” will be aimed at changing the culture by inspiring every person on a college campus to take action, big or small, to prevent sexual assault.

(via humanrightswatch)

When I tell my non grad school friends my loan disbursement came through

whenyoureanmft:

at first I’m like:

image

but then realize I need it to survive the semester

image

(via confessionsofabrokegradstudent)

When I say I’m going to get work done this weekend

gradlifethrugifs:

(via confessionsofabrokegradstudent)

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
9. Find a subject you care aboutand which you in your heart feel others should care about.
10. Do not ramble.
11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.
12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.
13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.
14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.
15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.
16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

9. Find a subject you care aboutand which you in your heart feel others should care about.

10. Do not ramble.

11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.

12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.

14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.

15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.

16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

(via book-pause)

simplypotterheads:

Pottermore House Pride Week - Happy #Ravenclaw Pride Day!

slangdoctor:

worldoflis:

girldwarf:

Deconstructing Masculinity & Manhood with Michael Kimmel @ Dartmouth College

YAAAAEEESSSSSSS

You know what I like, and feel is so important? That he doesn’t say “Men thinks those are THEIR positions”. He says “We think those are OUR positions.”

As a male feminist, he still doesn’t exclude himself from the group of men.

Message!

(Source: exgynocraticgrrl, via eaglebeaver)